The main object of her work is the “human condition” through her own personal experience. On this she builts “proofs of existence”. These tests confirm the human fact of the ethereal, in contrast to its mental construction, a powerful and permanent presence in the memory of its image, its symbol through form, word, color, sensory texture. She is obsessed with the graphic documentation of processes and methods, due to the personal need to intervene in the matter through registration (gaze). This transformation responds to a maternal sense of caring, protecting, directing, cultivating to see the result of a constantly changing fruit. Her works move between organic and visceral vs. transcendental and ephemeral.